From the History’s Channel “The Universe” series, season one; “Beyond The Big Bang”. Neil deGrasse Tyson explains the connections we all have, with Sagan-like poetry.

Neil deGrasse Tyson is a leading astrophysicist, the director of the American Museum of Natural History’s Hayden Planetarium, a columnist for Natural History Magazine, and the author or coauthor of six books.

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B.K. Bazhe B.K. Bazhe talks about
his Writing, the Poetry of his
book Identities, and his Art
with Trina Jaye on Writer’s Cramp.

BAZHE is a writer, poet, and artist.
He is the author of DAMAGES
(creative nonfiction)
— Winner in the Writers Digest Awards
and IDENTITIES (poetry).
He is published and exhibited
in Europe and America.

More info at:

http://www.BAZHE.com

Books & Art on Amazon:

http://astore.amazon.com/bazhe-20

YouTube Videos:

http://www.youtube.com/user/BAZHE

Google Blog:
http://bazhe.blogspot.com

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In her final interview, a couple of months before she died, Nicholas O’Connell discusses Denise Levertov’s essay Some Affinities of Content, particularly concerning the Northwest Poets’ attention to nature as a way to submerge their individual ego, and she is asked if her approach to poetry involves a spiritual quest. She says it is, and then she continues :

…optimism is a twentieth-century repeat of attitudes in the nineteenth century, when they thought that steam, electricity, and telephones were going to make for some kind of utopia. There’s a lot of dependence on technology today, and a willful ignorance that it’s messing up resources… [o]ur ethical development does not match our technological development. This sense of spiritual hunger is something of a counterforce or unconscious reaction to all that technological euphoria.(1)
Denise Levertov was born October 23, 1923 in Ilford, Essex, England. Her father was a Hasidic Jew who converted to Christianity and became a Anglican parson. Her mother was Welsh and read Willa Cather, Dickens, Tolstoy and Conrad. Denise was Home schooled and became interested in writing early, although she studied and intended to pursue ballet. She later said WWII changed her plans. To avoid conscription (women as well as men were required to serve in England,) She became a nurse during WWII.
After publication n of her first book in 1946, she was recognized as one of the New Romantics. But after marrying American writer Mitchell Goodwin she moved to the US and settled in New York. There she became acquainted with the transcendentalists Emerson and Thoreau. She also developed a friendship with William Carlos Williams, and made pilgrimages to visit him.
In 1965 Poetry published her essay Some Notes on Organic Form. in it she discusses her theory of poetics as being a crystallization of a constellation of perceptions within the poet at the time of a precipitating poetic experience. She says the poet is brought to speech:
Suppose theres the sight of the sky through a dusty window, birds and clouds and bits of paper flying through the sky, the sound of music from his radio, feelings of anger and love and amusement roused by a letter just received, the memory of some long-past thought…[ t]his is only a rough outline of a possible moment in a life. But the condition of being a poet is that periodically such a cross section, or constellation, of experiences (in which one or another element may predominate) demands, or wakes in him this demand: the poem. (2)
In a 1984 interview with Sybil Estess, Levertov speaks of her political awakening from apathy to revolutionary. (3) She speaks of becoming politically active through pacifism first. She says:
You will remember that there was actually no antiwar movement during the Korean War comparable to the one against the war in Vietnam. I shared that apathy, I’m afraid. But I began to participate in antinuclear demonstrations back in New York in the “ban the bomb” period. I was a convinced pacifist for a number of those years. Then I became more and more politically involved with the antiwar movement concerning Vietnam, and I began to feel that being a pacifist was an unbearably smug position to take. I felt self-righteous. I realized that there was a connection between the Vietnamese people who were struggling for self-preservation and between people’s struggle for self-determination in all places, and with racism. So I gave up my pacifism at that point and became more revolutionary. (3)
Denise Levertov died of Lymphoma on December 20. 1997.
Text of poems read can be found:
Clouds: http://www.poetryfoundation.org/archive/poem.html?id=171233
Everything That Acts Is Actual: http://www.poetryfoundation.org/archive/poem.html?id=171228
Come Into Animal Presence: http://www.poetryfoundation.org/archive/poem.html?id=17534
Life at War: http://www.poetryfoundation.org/archive/poem.html?id=181968
News Report, September 1991(4): http://www.poetryfoundation.org/archive/poem.html?id=180095
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Webliography:

http://en.wikipedia.org/wiki/Denise_Levertov

http://www.poets.org/poet.php/prmPID/41

http://www.english.illinois.edu/Maps/poets/g_l/levertov/life.htm

http://www.poetryfoundation.org/archive/poet.html?id=4048

Notes
(1) http://www.english.illinois.edu/Maps/poets/g_l/levertov/oconnell.htm
(2) http://www.poetryfoundation.org/learning/poetics-essay.html?id=237852
(3) http://www.english.illinois.edu/Maps/poets/g_l/levertov/estess.htmq99q
(4) New York Times story September 15, 1991:
http://www.nytimes.com/1991/09/15/world/us-army-buried-iraqi-soldiers-alive-in-gulf-war.html?pagewanted=1

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